2021年11月

Today, I would like to introduce “Designing Type,” written by Karen Cheng, edited by Yoshihisa Shirai, and translated by Keiko Ihara. This is a Japanese translation of the book published as …

Each glyph of a font is designed in the square frame called “imaginary body.” Furthermore, a frame one size smaller than imaginary body called “type face” is set in Japanese glyphs to use as…

TP Sky Low Contrast is adopted for Japanese type. When the concept and design for Latin are fixed to a certain degree, work to harmonize with Japanese type begins. As Latin looked smallish i…

*This article is created based on a presentation given at ATypI 2019 Tokyo.(https://www.youtube.com/watch?v=va0NnxdgrqA) In addition to human checking, it is believed that checking using mac…