“木 (Ki)” That Cannot Be Copy-Pasted

Adjustment of thickness is essential to creating a sense of unity in the character. For “木 (Ki)” that comes in the center, there are more adjustments in the horizontal stroke. Thickness is a…

As introduced in the first article of the series, some forms of “木 (Ki)” incorporate a stop brush on the forth stroke. Adjustment of this stop brush may be bold compared to the other strokes…

“木 (Ki)” becomes vertically long in ki-hen, such as “村, 榑, 樹,” etc. The width of “木 (Ki)” is tuned to a fine degree to match the element that comes on the right side. On the other hand, ther…

From this time, I would like to focus only on “木 (Ki)” and introduce what kind of adjustments are made in creating kanji. There are a lot of kanji with “木 (Ki),” such as “札, 杉, 村, 極, 機, 樹, 呆…